Yes, the central concept of Rise of the Guardians - that of a superhero team consisting of various childhood fables - is so brilliant and full of potential that it's really astounding that no one has tried it before. And with an artist like William Joyce involved (the film is based on his Guardians of Childhood book series), you'd have every reason to expect great things. Well, we've received good things, certainly good things, but a fair share of bad things, too. Rise is good enough for me- but with all the potential it has, it's a bit of a disappointment.
The Guardians of Childhood are a group of world-renowned folk heroes who have been chosen by the Man in the Moon to protect the sanctity and purity of children. The team, for hundreds of years, has consisted of Santa Claus, the Tooth Fairy, the Easter Bunny, and the Sandman - the "Big Four" - but the Man has finally decided on a fifth: Jack Frost. Frost and the Guardians aren't the only mythological creatures out there, but to have the powers of a Guardian requires children to believe in you. If kids don't believe, you have no such power. This is bad news for Jack, who's long been forgotten by the world. And the world is about to get much worse- a sinister, feared presence, also long forgotten, has appeared to make his mark, and he aims to destroy the Guardians and all that they have worked for.
Rise of the Guardians is a winner based on the art alone. So much imagination went into every single scrap of the Guardians, and it's a sight to behold. Santa's Workshop is filled with toys, elves, and Yetis bustling around and mingling in fun and amusing ways; the Tooth Fairy's castle is run like a bustling business, with little helper-fairies scrambling all across the world to obtain lost teeth; and the Easter Bunny's warren is covered in beautiful and vibrant colors, where Easter eggs grow from flowers (!) and the rivers run in every hue of the rainbow. The Sandman doesn't have a domain, but he does have sand, and what incredible sand! Anyone who knows much about animation understands how incredibly difficult it is to even draw sand on a computer, but Dreamworks has created sand that dances, floats, and flies about in all directions, and it's gorgeous. Jack Frost, similarly, is a wanderer, and he controls snow and ice. Both of these are just as hard to animate, but once again, it's achieved with flying colors. Jack performs some impressive feats with the ice, molding it, controlling it, and drawing on it, but it never stops looking real. At the film's very beginning, where Jack breaks through a frozen lake and it crumbles into fragments around him, it looked so real and so beautiful that I teared up. I really did! And that wasn't even the only time the gorgeous animation moved me so.
Now, with a hero team made up of folk icons like these, there's only one possible choice for their arch-nemesis: the Boogeyman! And, yes, our villain in the film is indeed the Boogeyman... or as they inexplicably insist on calling him most of the time, "Pitch Black". Unfortunately, the otherwise limitless imagination of the film's art design staggers to a complete standstill when it comes to him. While the Guardians have beautifully designed homes and abilities, Pitch is depressingly simple, just a tall man with grey skin and a black coat. His lair is similarly bland- it's just a dark basement with a bunch of cages. The really sad thing is, the Boogeyman is quite possibly the only character of the group that allows complete artistic freedom. While the Guardians each have common depictions or simple requirements that limit the ways they can be designed (Tooth Fairy has to be winged and colorful, Santa has to be a fat old man in red, Easter Bunny has to be a rabbit, etc.), there is absolutely no limitations on what the Boogeyman could look like. I mean, go ahead- name me a physical trait of the Boogeyman! You can't! There was so much they could go with here, especially since Pitch is supposed to be the very embodiment of a child's fears. Is a middle-aged Edward Cullen lookalike really the best they could come up with?
Oh, and his minions are just a limitless horde of black horses made of dream dust. "Night Mares", see? Har dee har har.
Easily the weakest part of Rise is its screenplay. Taken on its own merits, it's junk! Most attempts at comedic dialogue fall flat, there's an abundance of cliché lines, and the story structure is sophomoric. I was able to accurately quote entire lines of dialogue, despite having never seen the film before (the villain's annoyingly standard "join me, hero!" scene happens, in the most predictable way possible. And guess how the hero responds!). The plot feels unfocused, and sometimes seems to be structured more like a miniseries than a movie. One 10-minute plot thread has the Guardians helping the Tooth Fairy to help her with her job, and it all goes swimmingly. The next 10 minutes have them trying to save Easter. The next 10, Jack's trying to discover his past. There is no real overarching journey of any kind- or at least, not a physical journey. The intended storyline is basically your standard "Hero's Journey" for Jack, where we're supposed to see him move past his own doubts in himself and become a real hero. The only problem is, this is rather botched. It's not made clear that Jack is insecure about himself, only that he isn't interested in joining a group. This fits his established status as a drifter, and the concept that he's looking for answers in life is only directly informed to us by other characters as they speak to him. The film's climax is disappointing, as despite the global consequences at stake, the final battle is confined to a single small area, and it's over in quite a short period of time.
Rise's is saved, partially by the animation, and partially by the spirit and drive of the cast. Some surprising choices are made, but they all work amazingly. Alec Baldwin is Santa, who has a Russian accent, and yet after the initial surprise wears off, this fits him perfectly. Hugh Jackman is the Easter Bunny, and while his accent is unexpectedly based on a stereotypical Australian (Jack even calls him the "Easter Kangaroo"), it actually fits with his rugged-adventurer personality. Isla Fisher's cute and friendly voice sounds perfect for a fairy, and Chris Pine gives Jack a young, roguish tone that's befitting of Captain Kirk himself. Even Pitch, a bland character as far as design goes, is made at least somewhat interesting by Jude Law's dark, imposing interpretation.
Rise of the Guardians, if nothing else, may go down in my mental history books as the only mediocre movie I've ever actually cried at. If you're like me, and are a fan of animation or appreciate art and character design a great deal, then this is one movie you definitely should see. If you prefer plot, then there's not much to recommend.
Stars: ***
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